ZEUSARTE

The work of Zeus arises within an historical sensitivity that we give in calling post medieval. Result of the combination of two terms: post modernity and medievality: First it express the time at which the tendency is inserted, the Nineties of century XX; and the second, its more excellent characteristic, the creative appropriation of later plastic codes to the High Middle Age, preferred those of the Renaissance and the Baroque.

The term is an ironic reference to the postmodern denominations. Also, a joke, as much as is it some of the representative strategies of visual codification of this painting. Another one of the characteristics that define it, are his cultivated way to say and to do. Of there its return to the office. This return is it also to an inserted perspective in the traditional values of the manifestation as far as formats, techniques and preferences by the unique work. (Version. Words of the catalogue “Postmedievals in Puerto Rico”, Jorge Bermúdez. 2001).

Personal exhibitions

2004 “Juntos pero no revueltos”. Galiano Gallery. Havana. Cuba. 2002 “Classic and Contemporary”. Eijenart Gallery. Stralsund. Germany. “Vindication of Desire”. Space 304 Gallery. San Juan. Puerto Rico. 1999 “The Origin of the World”. SAP AG. Berlin. Germany.

Collective exhibitions

2005 Special guest. Expo Sale of Art in support to the Leonine Association for the Muscular Dystrophy, A.C., and the Mexican Red Cross. Poliforum Convention Center. Leon, Guanajuato. Mexico. 2002 “Influences Asia, Africa, the Caribbean.” Royal Commonwealth Society, London. 2001 “New art of Cuba”. Discoveries in Art, Gallerie Bonheur, for Society Latin American Art and Culture. Old Greenwich, Connecticut. EUA. “Cuban Post medieval Painting”. Museum of the Americas. San Juan, Puerto Rico. “Hall of the City”. Provincial center of Plastic Arts and design. Havana. Cuba. “Echoes of Cuba”. The Golden Branch. Room of Latin American Art. Panama. IV National Aid World-wide Food Program in Action 2001. Center of Development of the Visual Arts. Havana. Cuba. 2000 “First Hall of Erotic Art”. The Acacia Gallery. Havana. Cuba. 1998 “Art 98”. Vancouver International Fair. Victor Manuel Gallery. Canada. 1997 “Contemporary Cuban Painting”. Giant Giaccinto academy. Naples. Italy. 1994 “Hall the Caribbean”. Provincial center of Plastic Arts and Design. Santiago de Cuba.


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The work of Zeus arises within an historical sensitivity that we give in calling post medieval. Result of the combination of two terms: post modernity and medievality: First it express the time at which the tendency is inserted, the Nineties of century XX; and the second, its more excellent characteristic, the creative appropriation of later plastic codes to the High Middle Age, preferred those of the Renaissance and the Baroque. The term is an ironic reference to the postmodern denominations. Also, a joke, as much as is it some of the representative strategies of visual codification of this painting. Another one of the characteristics that define it, are his cultivated way to say and to do. Of there its return to the office. This return is it also to an inserted perspective in the traditional values of the manifestation as far as formats, techniques and preferences by the unique work. (Version. Words of the catalogue “Postmedievals in Puerto Rico”, Jorge Bermúdez. 2001). Personal exhibitions 2004 “Juntos pero no revueltos”. Galiano Gallery. Havana. Cuba. 2002 “Classic and Contemporary”. Eijenart Gallery. Stralsund. Germany. “Vindication of Desire”. Space 304 Gallery. San Juan. Puerto Rico. 1999 “The Origin of the World”. SAP AG. Berlin. Germany. Collective exhibitions 2005 Special guest. Expo Sale of Art in support to the Leonine Association for the Muscular Dystrophy, A.C., and the Mexican Red Cross. Poliforum Convention Center. Leon, Guanajuato. Mexico. 2002 “Influences Asia, Africa, the Caribbean.” Royal Commonwealth Society, London. 2001 “New art of Cuba”. Discoveries in Art, Gallerie Bonheur, for Society Latin American Art and Culture. Old Greenwich, Connecticut. EUA. “Cuban Post medieval Painting”. Museum of the Americas. San Juan, Puerto Rico. “Hall of the City”. Provincial center of Plastic Arts and design. Havana. Cuba. “Echoes of Cuba”. The Golden Branch. Room of Latin American Art. Panama. IV National Aid World-wide Food Program in Action 2001. Center of Development of the Visual Arts. Havana. Cuba. 2000 “First Hall of Erotic Art”. The Acacia Gallery. Havana. Cuba. 1998 “Art 98”. Vancouver International Fair. Victor Manuel Gallery. Canada. 1997 “Contemporary Cuban Painting”. Giant Giaccinto academy. Naples. Italy. 1994 “Hall the Caribbean”. Provincial center of Plastic Arts and Design. Santiago de Cuba.